1. works_listings
  2. Sort by:
    1. Chronological
    2. Alphabetical
    3. Medium
  3. 2023 -
    Accumulator
  4. 2022_23 -
    Accumulator (Psychic Memory)
  5. 2013 -
    Alphabetical Tools (nuuh auhn oh ch)
  6. 2015 -
    An Abandonment was accountable for the Accumulation of Acid After Dark / Punctuated Remains
  7. 2018 -
    Area of Overlap
  8. 2023_24 -
    Being (Immaterial)
  9. 2022_24 -
    Being (Interloper)
  10. 2006 -
    Booth
  11. 2005 -
    Building
  12. 2004 -
    Cell
  13. 2007 -
    Centre
  14. 2007 -
    Cipher
  15. 2006 -
    Close Range
  16. 2013 -
    Configuration
  17. 2009 -
    Coordinate
  18. 2023 -
    Desert Rain
  19. 2009 -
    Detached
  20. 2004 -
    Drift
  21. 2022_23 -
    Earth Line
  22. 2022_23 -
    Energy Field
  23. 2023_24 -
    Energy Locator
  24. 2016 -
    Equilibrium (umph, ohwh, ah, clk clk)
  25. 2013 -
    Extrapolation
  26. 2017 -
    Falling and Walking (phhhhhhhhhhh phossshhhhh crrhhhhzzz mn huaooogh)
  27. 2014 -
    Fieldwork
  28. 2013 -
    Fieldwork (materials)
  29. 2017/18 -
    Flutter
  30. 2022_23 -
    Heavy Lifting
  31. 2009 -
    Incidence
  32. 2017 -
    Lamp Post (2)
  33. 2018 -
    Liquid Landscape
  34. 2003 -
    Lumber
  35. 2022_23 -
    Lure (Incantation)
  36. 2023_24 -
    Lure (Wand)
  37. 2023_24 -
    Memory Tank
  38. 2023_24 -
    Messenger
  39. 2022 -
    Meteor
  40. 2012 -
    Notations
  41. 2023_24 -
    Outlier
  42. 2007 -
    Outpost
  43. 2014/15 -
    Pacific Palisades faded into remote vision
  44. 2020 -
    Photograms, The Depth of Darkness, the Return of the Light
  45. 2014 -
    Pitch
  46. 2015 -
    Pitch Black, a smooth echo / A scoop with a shelter
  47. 2012 -
    Playback
  48. 2023_24 -
    Portal (Fallen Branches)
  49. 2009 -
    Prime
  50. 2015 -
    Process Photograms
  51. 2019 -
    Process Photograms
  52. 2010 -
    Rehearsal
  53. 2023 -
    Relic
  54. 2012 -
    Remainder
  55. 2012 -
    Residual Balance
  56. 2011 -
    Rift
  57. 2022 -
    Scenario (Atomised)
  58. 2012 -
    Script
  59. 2022_24 -
    Seedbed
  60. 2022_24 -
    Seedbed (Gathering)
  61. 2013 -
    Shelf
  62. 2003 -
    Small Space
  63. 2023_24 -
    Smoke Mirror
  64. 2023_24 -
    Solar Tank
  65. 2015 -
    Stacks
  66. 2022_23 -
    Survival Spell
  67. 2003 -
    Swoop
  68. 2019 -
    The Depth of Darkness, the Return of the Light
  69. 2012 -
    The Method / THE DETAILS
  70. 2019 -
    The Weather Garden
  71. 2018 -
    Threshold
  72. 2010 -
    Tonight
  73. 2015 -
    Twin Fields (I)
  74. 2015 -
    Twin Fields (II)
  75. 2013 -
    Two Joined Fields– Field (/\) and Field (decagon)
  76. 2009 -
    Unity
  77. 2004 -
    Untitled I (Cobwebs)
  78. 2004 -
    Untitled II (Plants)
  79. 2005 -
    Untitled III (Office)
  80. 2005 -
    Untitled IV (Balloons)
  81. 2005 -
    Untitled VI
  82. 2007 -
    Untitled VII (Plants)

Liquid Landscape

sculptural installation with audio 10’12” (looped) with 2 min pause, programmed light and wind Approx
1000 x 1500 x 350 cm 2018

Anne Hardy’s walk-in sculptural installations – which she calls FIELDWORKS – combine physical materials with light and sound to create immersive, sensory environments that are both convincing and fragile. She regards these installations as sentient spaces; spells that are conjured into being to channel specific energies and atmospheres; environments that can be temporarily inhabited but have lives of their own, altering and changing regardless of visitors or time. They are, she notes, ‘physical manifestations of psychological spaces’. Imagining the city as a sea in constant flux, with tides and backwaters akin to our unconscious, she creates alternative versions of our everyday world using urban jetsam and street-combings: materials and objects, sounds and other intangible things that she finds in forgotten corners and voids in the city, places which she describes as ‘pockets of wild space … where loose-ends, feelings and thoughts collect.’ For Hardy, these ‘voids’ represent spaces of freedom, embodying the possibility to exist fluidly between states of being, and to experience subtle but definite transformations on a perceptual and an energetic level – to think and feel differently. Originally commissioned by Rotterdam’s Museum Boijmans Van Beuningen, Liquid Landscape (2018-present) combines objects and sonic gatherings from that port city, and the experience of an unexpected tropical storm in London, into a FIELDWORK that uses the idea of a city almost underwater, and an interloping climate, as a way to consider fragility, resilience and shifting emotions. Surround sound, light and wind are choreographed to suggest a sequence of changing atmospheres, which sit in parallel with a physical space defined and shaped by colour. Visitors are asked to take off their shoes before entering; as Hardy remarks, ‘removing your shoes makes you vulnerable and more sensitive; you become part of the installation.’ She goes on to say: ‘I want the work to give you the feeling that it is performing for you, and around you; that it is a poetic being with which you can spend time but can never fully understand.’

See also :

Exhibitions + Projects

2022 – British Art Show 9

2018 – Museum Boijmans van Beuningen

for video documentation and additional images

Anne Hardy Current(crssssh croooo slaaao zzzhff) Sensory Spaces 13 Museum Boijmans Van Beuningen