Anne Hardy
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texts
2021 -
MICAS In Conversation: Anne Hardy interviewed by Rajesh Punj
2021 -
Aperture Magazine, Lena Fritsch
2021 -
British Arts Show 9
2021 -
Photomonitor
2021 -
Elephant Magazine
2021 -
Hackney Citizen
2021 -
Studio International Interview with David Trigg
2020 -
Contemporary Art Society
2020 -
Kuntsforum, Godrun Ratzinger
2019-20 -
Tate Shots, Anne Hardy – In the Studio and on the River
2019 -
Dezeen, Alyn Griffiths
2019 -
Wild Hunt
2019 -
Time, Cady Lang
2019 -
Dazed, Tom Waite
2019 -
AnOther Magazine
2019 -
Evening Standard Robert Dex, Light Fantastic Tate’s Ghostly New Look
2019 -
The Guardian, The Depth of Darkness, the Return of the Light, Mark Brown
2018 -
TOO MUCH Magazine, Audrey Fondecave
2018 -
Museum Boijmans Van Beuningen, Nina Folkersma
2018 -
Art Forum, Philomena Epps
2018 -
Metal Magazine
2018 -
Corridor8, Jack welsh
2017 -
Contemporary Art Society, Caroline Douglas
2017 -
Michael Clark Company, Anne Hardy
2015 -
The Independent, Hannah Duguid
2015 -
Artforum, Declan Long
2013 -
ArtForum, David Rhodes
2013 -
Time Out, Freire Barnes
2013 -
The guardian, Skye Sherwin
2012 -
Frieze, Helen Chang
2011 -
Camden Arts Centre— File Note 58, Francesco Manacorda
2011 -
Ten Magazine, Sherwin Skye
2010 -
Art Review, Richard Dyer
2009 -
The guardian— Artist of the week 64, Jessica Lack
2008 -
The New Yorker
2006 -
Phaidon —Vitamin Ph, Sally O’Reilly
https://www.youtube.com/watch?v=OahVHHnzC04
Anne Hardy
’s walk-in sculptural installations – which she calls FIELDwork – combine physical materials with light and sound to create immersive, sensory environments that are both convincing and fragile. She regards these installations as sentient spaces; spells that are conjured into being to channel specific energies and atmospheres; environments that can be temporarily inhabited but have lives of their own, altering and changing regardless of visitors or time. They are, she notes, ‘physical manifestations of psychological spaces’. Imagining the city as a sea in constant flux, with tides and backwaters akin to our unconscious, she creates alternative versions of our everyday world using urban jetsam and street-combings: materials and objects, sounds and other intangible things that she finds in forgotten corners and voids in the city, places which she describes as ‘pockets of wild space … where loose-ends, feelings and thoughts collect.’ For Hardy, these ‘voids’ represent spaces of freedom, embodying the possibility to exist fluidly between states of being, and to experience subtle but definite transformations on a perceptual and an energetic level – to think and feel differently. Originally commissioned by Rotterdam’s Museum Boijmans Van Beuningen,
Liquid Landscape
(2018-present) combines objects and sonic gatherings from that port city, and the experience of an unexpected tropical storm in London, into a FIELDwork that uses the idea of a city almost underwater, and an interloping climate, as a way to consider fragility, resilience and shifting emotions. Surround sound, light and wind are choreographed to suggest a sequence of changing atmospheres, which sit in parallel with a physical space defined and shaped by colour. Visitors are asked to take off their shoes before entering; as Hardy remarks, ‘removing your shoes makes you vulnerable and more sensitive; you become part of the installation.’ She goes on to say: ‘I want the work to give you the feeling that it is performing for you, and around you; that it is a poetic being with which you can spend time but can never fully understand.’
The
MICAS in Conversation
is a series of short conversations between art critic
Rajesh Punj
and a selection of Maltese and international artists on the involving effect of space on their art practice against the backdrop of the COVID-19 pandemic and its implications.
MICAS is a Government of Malta infrastructural legacy project for the Culture and the Arts sector. MICAS will be realised through state funded restoration of historical fortifications and its galleries will be delivered in 2023. This project is part-financed by the European Union under the European Regional Development Fund – European Structural and Investment Funds 2014-2020.